Browsing: Art Song

The 24th edition of the Concours musical international de Montréal (CMIM) will once again be dedicated to voice. For its 2025 iteration, 348 singers—including 74 Canadians—applied from 43 countries. A preliminary jury has already winnowed the number down to 24 competitors, ages 25 to 32, who will gather in Montreal from May 25-June 6 to compete for prizes valued at $160,000. In terms of its place within the firmament of international voice competitions, Artistic Director Shira Gilbert points to CMIM’s position near the top “both in terms of prize money which includes our career development grant, which is significant, the…

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Each year, La Scena Musicale assembles an informal jury that listens, grades and evaluates the 24 participants of the Concours musical international de Montreal (CMIM). For this year’s Voice edition, a team consisting of La Scena’s voice specialists Adrian Rodriguez, Justin Bernard, Wah Keung Chan and Gianmarco Segato have drawn their top predictions for the competition winners. Jingjing Xu, mezzo-soprano, China Aria 1st: Adrian, Gianmarco Song 1st: Adrian, Gianmarco, Justin, Wah Keung AR: Jingjing Xu possesses what can only be described as flawless bel canto technique—her voice is consistently focused, her coloratura is impeccable, she can sing forte and (AR…

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A German-born baritone like Benjamin Appl is certainly no stranger to Schubert’s work. I can only assume that the Austrian composer’s impressive list of over 600 songs offer much to Appl’s repertoire, who himself is largely a Lieder singer. Accompanied by American pianist Eric Lu, Appl presented Schubert’s Schwanengesang—his ‘swan songs’—as well as Beethoven’s song collection, An die ferne Geliebte (To the Distant Beloved), at Montreal’s Bourgie Hall on Feb. 13.   What you missed Though one’s swan song is typically a final piece or performance before retirement or death, Schubert’s Schwanengesang is a collection of Lieder compiled and shared by…

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Schubert: Winterreise Rachel Fenlon, soprano & piano Orchid Classics, 2024 Franz Schubert’s devastatingly confessional song cycle, Winterreise (1828) charts the journey of a spurned narrator through 24 songs set to poems by Wilhelm Müller. It is a pinnacle of Romanticism and foundational to the German Lied (Song) tradition. Although more associated with male singers, it was recorded by German mezzo-soprano Elena Gerhardt as early as 1928 and, in more recent times, by mezzos Christa Ludwig, Brigitte Fassbaender and contralto Nathalie Stutzmann. What makes Canadian soprano Rachel Fenlon’s new traversal unique is that she acts as her own accompanist, the first…

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Excellence, beauty and discovery. These are the keywords used by Bourgie Hall to present its new concert season. If there’s one event that brings them all together, it’s the launch of their traversal of the complete catalogue of Schubert’s Lieder. Bourgie Hall’s presentation of the complete cantatas of Johann Sebastian Bach had only scarcely been completed when artistic director Olivier Godin was already thinking of another project on a similarly grand scale. There are no fewer than 600 songs born of Schubert’s genius. “It’s a very rich body of works,” he says, “and yet the public hears perhaps 20 per…

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Douce France: Mélodies & Chansons Benjamin Bernheim, tenor; Carrie-Ann Matheson, piano Deutsche Grammophon, 2024 For his debut album of French mélodies and chansons, French-Swiss tenor Benjamin Bernheim and Canadian pianist Carrie-Ann Matheson have not shied away from some of the most performed, most recorded songs in the repertoire. Berlioz’s Les nuits d’été, three of Duparc’s glorious mélodies and even Chausson’s cycle, Poème de l’amour et de la mer are certainly not lacking in exposure. But as Bernheim notes in the program book, the Berlioz and Chausson sets have historically been the domain of high-voiced female singers, the Duparc often taken…

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Rose in Bloom Erin Morley, soprano; Gerald Martin Moore, piano Orchid Classics, 2024 One of today’s most in-demand lyric coloratura sopranos, Erin Morley sings roles like Sophie in Der Rosenkavalier, Cunegonde in Candide and Gilda in Rigoletto at The Metropolitan Opera, Vienna State Opera and Munich’s Bavarian State Opera. Rose in Bloom is her debut recital disc alongside pianist Gerald Martin Moore. It centres on floral themes in songs dating from the early 19th century to the current day. Morley’s consummate mastery of high, florid music ensures there are inevitably several songs representing composers’ penchant to equate piping coloratura with…

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Author : (Eva Stone-Barney)

Against the Grain Theatre (AtG) is a pillar of the Canadian opera scene. The award-winning company has been pushing boundaries and challenging audiences to experience opera in exciting, new ways since its founding in 2010 by director, librettist, educator, and administrator Joel Ivany, and his partner, soprano Miriam Khalil.  Ivany didn’t grow up with opera. He recalls watching La Bohème, starring Pavarotti, on Laser Disk, and later, going to the Canadian Opera Company (COC) for the first time, in Grade 13. Entranced by the “big stage, big sound, big … everything,” he remembers thinking: “How are we going to…

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Author : (Eva Stone-Barney)

Although Davóne Tines may have “tumbled his way into the opera world” somewhat accidentally, his artistic output has been deliberate ever since. As a young person, he says, he didn’t know where he would end up. Tines completed undergraduate studies in sociology at Harvard University, and worked at a series of arts organizations as an administrator, before considering the prospect of life as a professional musician. Tines grew up singing – in the Black Baptist church, growing up in Virginia; at college, in a Renaissance polyphony ensemble; in the professional choir at the National Shrine in DC; and in a…

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