by Paul E. RobinsonWhat a revolutionary idea it was to provide surtitles (“translated or transcribed lyrics/dialogue projected above a stage or displayed on a screen”) in the opera house! All of a sudden, people actually understood what was going on. An art form that had been forbidding and impenetrable for millions was transformed into something welcoming and meaningful. Shame on the Karajans and Levines who, for whatever reason, delayed that monumental breakthrough in communication.I believe the concert hall could use the same communication overhaul afforded the opera house. To my mind, vocal works should always have surtitles; most often, they…