{"id":976096,"date":"2020-11-14T11:58:15","date_gmt":"2020-11-14T16:58:15","guid":{"rendered":"https:\/\/myscena.org\/?p=976096"},"modified":"2020-11-14T11:58:15","modified_gmt":"2020-11-14T16:58:15","slug":"critique-de-disque-vivaldi-luce-e-ombra","status":"publish","type":"post","link":"https:\/\/aap5.myscena.org\/fr\/la-scena-musicale-team\/critique-de-disque-vivaldi-luce-e-ombra\/","title":{"rendered":"Critique de disque. Vivaldi\u00a0: Luce e ombra"},"content":{"rendered":"<p><strong>Vivaldi\u00a0: <em>Luce e ombra<\/em><\/strong><\/p>\n<p><strong>Myriam Leblanc, soprano. Gr\u00e9goire Jeay, fl\u00fbte; Antoine Malette-Ch\u00e9nier, harpe triple baroque; Marie-Michel Beauparlant, violoncelle (Ensemble Mirabilia)<\/strong><\/p>\n<p><strong>Analekta AN 2 9137<\/strong><\/p>\n<p><strong>Dur\u00e9e\u00a0: 60\u00a0min\u00a047<\/strong><\/p>\n<p>Associ\u00e9 dans l\u2019esprit du public \u00e0 ses concertos anim\u00e9s, Vivaldi \u00e9tait tout aussi prolifique (et pr\u00e9visible) en tant que compositeur vocal. Ce programme mettant en vedette la jeune soprano lyrique Myriam Leblanc m\u00e9lange des num\u00e9ros m\u00e9lancoliques et rapides avec des entractes instrumentaux par un trio de fl\u00fbte, violoncelle et harpe (la derni\u00e8re en remplacement d\u2019un clavecin et sonnant comme un luth). Le morceau d\u2019ouverture, un air prolong\u00e9 (\u00ab\u00a0Gelido in ogni vena\u00a0\u00bb) de l\u2019op\u00e9ra <em>Il Farnace<\/em>, \u00e9voque l\u2019<em>Hiver<\/em> avec les sonorit\u00e9s superpos\u00e9es de l\u2019introduction. La fl\u00fbte r\u00e9guli\u00e8re et implacable de Gr\u00e9goire Jeay est presque un deuxi\u00e8me soliste dans la cantate <em>All\u2019ombra di sospetto<\/em>. Leblanc a une voix pure et agile. Elle applique le vibrato avec parcimonie, m\u00eame l\u00e0 o\u00f9 de longues suspensions pourraient avoir besoin d\u2019un peu d\u2019intensit\u00e9 et de soutien. On a l\u2019impression parfois d\u2019entendre un gar\u00e7on soprano d\u00e9verser de fa\u00e7on improbable des \u00e9motions adultes. Il s\u2019agit n\u00e9anmoins d\u2019un programme agr\u00e9able, enregistr\u00e9 \u00e9troitement en accord avec les forces modestes. Le livret comprend des textes complets, mais aucune note explicative.<\/p>\n<p>Traduction par Jacqueline Vanasse<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vivaldi\u00a0: Luce e ombra Myriam Leblanc, soprano. Gr\u00e9goire Jeay, fl\u00fbte; Antoine Malette-Ch\u00e9nier, harpe triple baroque; Marie-Michel Beauparlant, violoncelle (Ensemble Mirabilia) Analekta AN 2 9137 Dur\u00e9e\u00a0: 60\u00a0min\u00a047 Associ\u00e9 dans l\u2019esprit du public \u00e0 ses concertos anim\u00e9s, Vivaldi \u00e9tait tout aussi prolifique (et pr\u00e9visible) en tant que compositeur vocal. Ce programme mettant en vedette la jeune soprano<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/aap5.myscena.org\/fr\/la-scena-musicale-team\/critique-de-disque-vivaldi-luce-e-ombra\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2814,"featured_media":976033,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038],"tags":[],"class_list":{"0":"post-976096","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"type-critique-de-disque","9":"volume-volume-26","10":"issue-vol-26-issue-34-fr","11":"section-critiques"},"featured_image_src":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2020\/11\/an29137-vivaldi-luce-e-ombra-myriam-leblanc-soprano_CMYK-e1605306741291.jpg","blog_images":{"medium":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2020\/11\/an29137-vivaldi-luce-e-ombra-myriam-leblanc-soprano_CMYK-e1605306741291-300x153.jpg","large":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2020\/11\/an29137-vivaldi-luce-e-ombra-myriam-leblanc-soprano_CMYK-e1605306741291.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/976096"}],"collection":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/users\/2814"}],"replies":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=976096"}],"version-history":[{"count":0,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/976096\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media\/976033"}],"wp:attachment":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=976096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=976096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=976096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}