{"id":1112921,"date":"2026-03-24T19:10:27","date_gmt":"2026-03-24T23:10:27","guid":{"rendered":"https:\/\/myscena.org\/?p=1112921"},"modified":"2026-03-25T20:11:58","modified_gmt":"2026-03-26T00:11:58","slug":"la-jeune-fille-suppliciee-sur-une-etagere-poesie-macabre","status":"publish","type":"post","link":"https:\/\/aap5.myscena.org\/fr\/nathalie-de-han\/la-jeune-fille-suppliciee-sur-une-etagere-poesie-macabre\/","title":{"rendered":"La jeune fille supplici\u00e9e sur une \u00e9tag\u00e8re\u00a0: po\u00e9sie macabre"},"content":{"rendered":"<p class=\"yiv4448492594MsoNormal\"><i>La jeune fille supplici\u00e9e sur une \u00e9tag\u00e8re<\/i>, la derni\u00e8re pi\u00e8ce de C\u00e9dric Delorme-Bouchard est lugubre mais tr\u00e8s r\u00e9ussie et Larissa Corriveau, sa muse, y est admirable. Au Prospero, 18 nov. \u2013 10 d\u00e9c. 2025. <a href=\"http:\/\/www.prospero.org\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">www.prospero.org<\/a>. \u00c0 Ottawa\u00a0: Th\u00e9\u00e2tre du Trillium, 9-11 avril 2026\u00a0<a href=\"http:\/\/www.nouvellescene.com\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">www.nouvellescene.com<\/a>. \u00c0 Rimouski,\u00a0<a href=\"https:\/\/rendezvoustheatre.ca\/piece\/la-jeune-fille-supplici%C3%A9e-sur-une-%C3%A9tag%C3%A8re\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Th\u00e9\u00e2tre du Bic<\/a>, 29 avr. 2026<\/p>\n<p class=\"yiv4448492594MsoNormal\">Mieko est issue d\u2019une famille indigente. Faute de soins, elle meurt des suites d\u2019une pneumonie, \u00e0 l\u2019\u00e2ge de seize ans. D\u00e9c\u00e9d\u00e9e mais encore lucide, elle voit deux employ\u00e9s de laboratoire offrir de l&#8217;argent \u00e0 ses parents pour son cadavre. Elle d\u00e9taille ensuite avec une pr\u00e9cision chirurgicale chacune des interventions que son corps subit, au nom de la science. Soyez pr\u00e9venus, car la pi\u00e8ce est une exp\u00e9rience totale et quasi sensorielle.<b><\/b><\/p>\n<p class=\"yiv4448492594MsoNormal\">\u00c9crit du point de vue de la jeune d\u00e9funte qui dansait nue pour pouvoir subsister, baign\u00e9 d\u2019un transr\u00e9alisme qui efface les fronti\u00e8res entre le r\u00e9el et la fiction, le r\u00e9cit de l\u2019auteur japonais Akira Yoshimura<b>\u00a0(<\/b>1959) illustre l\u2019iniquit\u00e9 sociale devant la mort et l\u2019objectification du corps des femmes<b>\u00a0<\/b>par-del\u00e0 le tr\u00e9pas. Evelyne de la Cheneli\u00e8re signe pour la sc\u00e8ne une excellente adaptation de cette sombre nouvelle, r\u00e9v\u00e9latrice du style d\u2019Yoshimura et de la soci\u00e9t\u00e9 nippone de la fin des ann\u00e9es 1950.<\/p>\n<figure id=\"attachment_1112812\" aria-describedby=\"caption-attachment-1112812\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1112812\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/Pro-25-26-La-jeune-fille-01-Larissa-Corriveau-\u00a9-Marlene-Gelineau-Payette-2.jpg\" alt=\"Larissa Corriveau personnifie la jeune femme supplici\u00e9e. Cr\u00e9dit photo Marle\u0300ne Ge\u0301lineau Payette\" width=\"640\" height=\"427\" srcset=\"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2026\/03\/Pro-25-26-La-jeune-fille-01-Larissa-Corriveau-\u00a9-Marlene-Gelineau-Payette-2.jpg 640w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2026\/03\/Pro-25-26-La-jeune-fille-01-Larissa-Corriveau-\u00a9-Marlene-Gelineau-Payette-2-300x200.jpg 300w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2026\/03\/Pro-25-26-La-jeune-fille-01-Larissa-Corriveau-\u00a9-Marlene-Gelineau-Payette-2-600x400.jpg 600w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-1112812\" class=\"wp-caption-text\">Larissa Corriveau personnifie la jeune femme supplici\u00e9e. Cr\u00e9dit photo Marle\u0300ne Ge\u0301lineau Payette<\/figcaption><\/figure>\n<p class=\"yiv4448492594MsoNormal\">Une consultante culturelle<b>\u00a0(<\/b>Aki Matsushita) a rejoint l\u2019\u00e9quipe pour que l\u2019univers de la pi\u00e8ce soit coh\u00e9rent avec la r\u00e9alit\u00e9 de cette \u00e9poque r\u00e9volue.<b>\u00a0<\/b>La notion d&#8217;une transition post-mortem, d\u2019existence interm\u00e9diaire entre la mort et la vie suivante est centrale dans le bouddhisme japonais. Pendant cette p\u00e9riode, les proches font des pri\u00e8res et des offrandes pour emp\u00eacher l&#8217;esprit qui voyage de se transformer en fant\u00f4me affam\u00e9. Le texte repose donc sur des croyances ancestrales.<\/p>\n<p class=\"yiv4448492594MsoNormal\">Larissa Corriveau est debout, sur une petite estrade noire pos\u00e9e au milieu de la sc\u00e8ne, entour\u00e9e de noren assortis \u2013 ces rideaux en tissu traditionnels japonais, suspendus dans les encadrements de portes ou de fen\u00eatres. Son visage \u00e9merge d\u2019un remarquable costume de lutrex rose pliss\u00e9 qui \u00e9voque les chairs \u00e0 vif et des bulles de putr\u00e9faction (Marie-Audrey Jacques). Le costume \u00e9volue d&#8217;ailleurs au fil de la pi\u00e8ce et des \u00e9tapes travers\u00e9es par le cadavre de la jeune fille.<\/p>\n<p class=\"yiv4448492594MsoNormal\">C\u00e9dric Delorme-Bouchard signe l\u2019id\u00e9ation, la sc\u00e9nographie, la lumi\u00e8re et la mise en sc\u00e8ne du spectacle. Avec\u00a0<i>La jeune fille supplici\u00e9e sur une \u00e9tag\u00e8re<\/i>, le cr\u00e9ateur repousse les limites de ses exp\u00e9rimentations th\u00e9\u00e2trales. Au noyau de sa compagnie de cr\u00e9ation Chambre noire, il ajoute des collaborateur.rice.s qui ont imagin\u00e9 et con\u00e7u les outils sc\u00e9niques<b>\u00a0<\/b>sp\u00e9cifiques \u00e0 cette coproduction Prosp\u00e9ro -Th\u00e9\u00e2tre du Trillium. Et le r\u00e9sultat est plus que convaincant. <i>La jeune fille supplici\u00e9e sur une \u00e9tag\u00e8re <\/i>touche \u00e0 la perfection.<\/p>\n<p class=\"yiv4448492594MsoNormal\">Avec Larissa Corriveau et Jennyfer Desbiens.<\/p>\n<iframe loading=\"lazy\"  id=\"_ytid_43671\"  width=\"702\" height=\"394\"  data-origwidth=\"702\" data-origheight=\"394\" src=\"https:\/\/www.youtube.com\/embed\/LW5UrzGbCBw?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>La jeune fille supplici\u00e9e sur une \u00e9tag\u00e8re, la derni\u00e8re pi\u00e8ce de C\u00e9dric Delorme-Bouchard est lugubre mais tr\u00e8s r\u00e9ussie et Larissa Corriveau, sa muse, y est admirable. Au Prospero, 18 nov. \u2013 10 d\u00e9c. 2025. www.prospero.org. \u00c0 Ottawa\u00a0: Th\u00e9\u00e2tre du Trillium, 9-11 avril 2026\u00a0www.nouvellescene.com. \u00c0 Rimouski,\u00a0Th\u00e9\u00e2tre du Bic, 29 avr. 2026 Mieko est issue d\u2019une famille<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/aap5.myscena.org\/fr\/nathalie-de-han\/la-jeune-fille-suppliciee-sur-une-etagere-poesie-macabre\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2943,"featured_media":1112810,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17243,28147,29949,53995,49502,401],"tags":[52085,48297,65521,65524,17512,65522,5165,65517,65519,41367,885,65523,17517,65520,65518],"class_list":{"0":"post-1112921","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-la-scena-en-ligne","8":"category-la-scena-plein-feux","9":"category-les-arts-scena","10":"category-ottawa-fr","11":"category-points-forts","12":"category-theatre-fr","13":"tag-cedric-delorme-bouchard","14":"tag-chambre-noire","15":"tag-akira-yoshimura","16":"tag-annees-1950","17":"tag-evelyne-de-la-cheneliere","18":"tag-iniquite-sociale","19":"tag-japon","20":"tag-la-jeune-fille-suppliciee-sur-une-etagere","21":"tag-la-nouvelle-scene-gilles-desjardins","22":"tag-larissa-corriveau","23":"tag-mort","24":"tag-objectification-du-corps-des-femmes","25":"tag-prospero","26":"tag-theatre-du-bic","27":"tag-theatre-du-trillium","28":"type-critique"},"featured_image_src":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2026\/03\/La-Jeune-fille-suppliciee-sur-letagere-est-un-spectacle-de-Cedric-Delorme-Bouchard.-Credit-photo-Gaelle-Le-Royer.jpeg","blog_images":{"medium":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2026\/03\/La-Jeune-fille-suppliciee-sur-letagere-est-un-spectacle-de-Cedric-Delorme-Bouchard.-Credit-photo-Gaelle-Le-Royer-300x200.jpeg","large":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2026\/03\/La-Jeune-fille-suppliciee-sur-letagere-est-un-spectacle-de-Cedric-Delorme-Bouchard.-Credit-photo-Gaelle-Le-Royer.jpeg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1112921"}],"collection":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1112921"}],"version-history":[{"count":4,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1112921\/revisions"}],"predecessor-version":[{"id":1112934,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1112921\/revisions\/1112934"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media\/1112810"}],"wp:attachment":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1112921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1112921"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1112921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}