{"id":1091888,"date":"2025-09-03T08:44:44","date_gmt":"2025-09-03T12:44:44","guid":{"rendered":"https:\/\/myscena.org\/?p=1091888"},"modified":"2025-09-03T08:44:44","modified_gmt":"2025-09-03T12:44:44","slug":"orchestre-symphonique-de-sherbrooke-une-saison-2025-2026-pour-tous-les-gouts","status":"publish","type":"post","link":"https:\/\/aap5.myscena.org\/fr\/hassan-laghcha\/orchestre-symphonique-de-sherbrooke-une-saison-2025-2026-pour-tous-les-gouts\/","title":{"rendered":"Orchestre symphonique de Sherbrooke : Une saison 2025-2026 pour tous les go\u00fbts"},"content":{"rendered":"\r\n<p class=\"has-drop-cap has-medium-font-size\">\r\nEn entrevue avec La Scena Musicale, les propos du chef de l\u2019Orchestre symphonique de Sherbrooke, Jean-Michel Malouf, traduisent sa joie de pouvoir allier rendez-vous classiques et moments novateurs qui diversifient l\u2019offre musicale pour rejoindre diff\u00e9rents types de publics.<\/p>\r\n<p class=\"p9\">\u00ab\u00a0On doit toujours demeurer en mouvance quant aux moments de pr\u00e9senter des concerts, leurs formats, les r\u00e9pertoires choisis, etc.\u00a0\u00bb Pour ce faire, Malouf souligne la n\u00e9cessit\u00e9 d\u2019\u00eatre \u00e0 l\u2019\u00e9coute attentive des m\u00e9lomanes et de leurs pr\u00e9f\u00e9rences. Il \u00e9voque aussi l\u2019avantage de l\u2019emplacement de la salle de concert \u00e0 l\u2019Universit\u00e9 de Sherbrooke, \u00ab\u00a0ce qui permet d\u2019avoir des \u00e9changes constructifs avec profs et \u00e9tudiants\u00a0\u00bb.<\/p>\r\n\r\n\r\n\r\n<figure id=\"attachment_1091879\" aria-describedby=\"caption-attachment-1091879\" style=\"width: 702px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1091879\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/OSS-Photo-Benjamin-Forest-Robidas-1024x576.jpg\" alt=\"\" width=\"702\" height=\"395\" srcset=\"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/OSS-Photo-Benjamin-Forest-Robidas-1024x576.jpg 1024w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/OSS-Photo-Benjamin-Forest-Robidas-300x169.jpg 300w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/OSS-Photo-Benjamin-Forest-Robidas-600x338.jpg 600w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/OSS-Photo-Benjamin-Forest-Robidas-768x432.jpg 768w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/OSS-Photo-Benjamin-Forest-Robidas-1536x864.jpg 1536w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/OSS-Photo-Benjamin-Forest-Robidas.jpg 1920w\" sizes=\"(max-width: 702px) 100vw, 702px\" \/><figcaption id=\"caption-attachment-1091879\" class=\"wp-caption-text\">Photo : Benjamin Forest Robidas<\/figcaption><\/figure>\r\n<p class=\"p10\">\u00c0 ce propos, le chef note l\u2019importance de la formule d\u00e9contract\u00e9e des 5 \u00e0 7 dont la premi\u00e8re \u00e9dition, l\u2019ann\u00e9e derni\u00e8re, a connu un beau succ\u00e8s aupr\u00e8s du public estrien. Le lancement de ces rendez-vous ap\u00e9ro de musique de chambre est pr\u00e9vu le 9 octobre avec le duo Les cordes \u00e9clatantes compos\u00e9 de Dominique Beaus\u00e9jour-Ostiguy, violoncelliste, et Marie B\u00e9gin, violoniste, qui pr\u00e9sentent des \u0153uvres de Ravel, Kod\u00e1ly, Shulhoff et Haendel\/Halvorsen.<\/p>\r\n\r\n<h3 class=\"p11\">Grandes visites<\/h3>\r\n<figure id=\"attachment_1091883\" aria-describedby=\"caption-attachment-1091883\" style=\"width: 199px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1091883 size-medium\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/LelandKo-TamPhotography-7-2-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" data-wp-editing=\"1\" srcset=\"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/LelandKo-TamPhotography-7-2-199x300.jpg 199w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/LelandKo-TamPhotography-7-2-300x451.jpg 300w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/LelandKo-TamPhotography-7-2.jpg 500w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><figcaption id=\"caption-attachment-1091883\" class=\"wp-caption-text\">Leland Ko<br \/>Photo: Tam Photography<\/figcaption><\/figure>\r\n<p class=\"p8\">Malouf s\u2019attarde sur les moments marquants de la nouvelle saison. De prime abord, les rendez-vous classiques d\u00e9marrent le 27 septembre avec le concert <i>Variations romantiques <\/i>mettant en vedette le brillant violoncelliste Leland Ko.<\/p>\r\n<p class=\"p9\">Le 23 novembre, l\u2019OSS convie les m\u00e9lomanes \u00e0 une grande Messe des morts, o\u00f9 il interpr\u00e8te le <i>Requiem<\/i> de Fran\u00e7ois Dompierre en pr\u00e9sence de ce dernier. Cette \u0153uvre chorale est port\u00e9e par les voix de Myriam Leblanc, Andrey Haji et Geoffroy Salvas.<\/p>\r\n<p class=\"p9\">Jean-Michel Malouf annonce avec beaucoup de joie la grande visite du pianiste italien Benedetto Lupo, le 22 f\u00e9vrier. Au menu, deux concertos de Ravel.<\/p>\r\n<p class=\"p9\">Le 21 mars, le talentueux guitariste Adam Cicchilitti se joint \u00e0 l\u2019orchestre pour des variations autour des rythmes chaleureux de Ponce ainsi que de la musique de Copeland et la <i>Symphonie pastorale <\/i>de Beethoven.<\/p>\r\n\r\n\r\n<figure id=\"attachment_1091887\" aria-describedby=\"caption-attachment-1091887\" style=\"width: 200px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1091887 size-medium\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/2-Jean-MichelMalouf-TamPhotography-2-1-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/2-Jean-MichelMalouf-TamPhotography-2-1-200x300.jpg 200w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/2-Jean-MichelMalouf-TamPhotography-2-1-300x451.jpg 300w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/2-Jean-MichelMalouf-TamPhotography-2-1-600x902.jpg 600w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/2-Jean-MichelMalouf-TamPhotography-2-1-681x1024.jpg 681w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/2-Jean-MichelMalouf-TamPhotography-2-1-768x1155.jpg 768w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/2-Jean-MichelMalouf-TamPhotography-2-1.jpg 931w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><figcaption id=\"caption-attachment-1091887\" class=\"wp-caption-text\">Jean-Michel Malouf Photo : Tam Photography<\/figcaption><\/figure>\r\n<p class=\"p9\">Cl\u00f4turant la saison, le 10 mai, le concert <i>Grandeur et magie<\/i> avec les airs de <i>La Fl\u00fbte enchant\u00e9e <\/i>de Mozart et le <i>Concerto pour trompette <\/i>de Haydn, mettant en vedette le trompettiste St\u00e9phane Beaulac, se conclut par la <i>Symphonie no 9 <\/i>\u00ab\u00a0La Grande\u00a0\u00bb<i> <\/i>de Schubert.<\/p>\r\n<p class=\"p12\">La saison sera marqu\u00e9e par le concert pop symphonique en sa deuxi\u00e8me \u00e9dition, le 18 octobre. Ce concert, <i>Je reviens chez nous<\/i>, met en vedette le t\u00e9nor Marc Hervieux qui reprend de grands succ\u00e8s de la chanson qu\u00e9b\u00e9coise. \u00c0 noter aussi le concert <i>De femmes et de fleurs<\/i>, le 6 novembre, avec la soprano Pascale Brigitte Boilard et la pianiste Chlo\u00e9 Dumoulin qui interpr\u00e8tent des \u0153uvres de po\u00e9tesses et compositrices trop peu connues du XX<span class=\"s3\"><sup>e<\/sup><\/span> si\u00e8cle.<\/p>\r\n\r\n<blockquote>\r\n<p class=\"p13\">Retrouvez l\u2019Orchestre symphonique de Sherbrooke sur <a href=\"https:\/\/ossherbrooke.com\/\" target=\"_blank\" rel=\"noopener\">www.ossherbrooke.com<\/a>.<\/p>\r\n<\/blockquote>","protected":false},"excerpt":{"rendered":"<p>En entrevue avec La Scena Musicale, les propos du chef de l\u2019Orchestre symphonique de Sherbrooke, Jean-Michel Malouf, traduisent sa joie de pouvoir allier rendez-vous classiques et moments novateurs qui diversifient l\u2019offre musicale pour rejoindre diff\u00e9rents types de publics. \u00ab\u00a0On doit toujours demeurer en mouvance quant aux moments de pr\u00e9senter des concerts, leurs formats, les r\u00e9pertoires<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/aap5.myscena.org\/fr\/hassan-laghcha\/orchestre-symphonique-de-sherbrooke-une-saison-2025-2026-pour-tous-les-gouts\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2816,"featured_media":1091885,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17269,394],"tags":[33032,56738,62153],"class_list":{"0":"post-1091888","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cordes","8":"category-musique-classique","9":"tag-jean-michel-malouf","10":"tag-leland-ko-fr","11":"tag-lorchestre-symphonique-de-sherbrooke","12":"volume-volume-31","13":"issue-vol-31-issue-1-fr","14":"section-articles-de-fond"},"featured_image_src":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/featured_image-2-1.jpg","blog_images":{"medium":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/featured_image-2-1-300x144.jpg","large":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/09\/featured_image-2-1.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"group_select","label":"Group","value":""},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1091888"}],"collection":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/users\/2816"}],"replies":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1091888"}],"version-history":[{"count":4,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1091888\/revisions"}],"predecessor-version":[{"id":1091906,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1091888\/revisions\/1091906"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media\/1091885"}],"wp:attachment":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1091888"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1091888"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1091888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}