{"id":1089431,"date":"2025-08-01T17:12:24","date_gmt":"2025-08-01T21:12:24","guid":{"rendered":"https:\/\/myscena.org\/norman-lebrecht\/lhebdo-lebrecht-silvestrov-flowering-over-lethe-et-violin-concerto\/"},"modified":"2025-08-02T13:14:06","modified_gmt":"2025-08-02T17:14:06","slug":"lhebdo-lebrecht-silvestrov-flowering-over-lethe-et-violin-concerto","status":"publish","type":"post","link":"https:\/\/aap5.myscena.org\/fr\/norman-lebrecht\/lhebdo-lebrecht-silvestrov-flowering-over-lethe-et-violin-concerto\/","title":{"rendered":"L\u2019Hebdo Lebrecht | Silvestrov : \u2026flowering over Lethe\u2026<\/em> et Violin Concerto<\/em>"},"content":{"rendered":"

Le compositeur ukrainien de premier plan, exil\u00e9 en Allemagne depuis 2022, d\u00e9fie toute cat\u00e9gorisation. Sous le r\u00e9gime sovi\u00e9tique, Valentin Silvestrov<\/a> a toujours gard\u00e9 ses distances avec les styles impos\u00e9s, ignorant les pressions politiques et nationales. Il a \u00e9t\u00e9 expuls\u00e9 \u00e0 deux reprises de l\u2019Union des compositeurs et a continu\u00e9 \u00e0 composer \u00e0 sa mani\u00e8re, puisant dans le pass\u00e9 pour \u00e9tablir un lien avec le pr\u00e9sent malheureux. Apr\u00e8s l\u2019ind\u00e9pendance de l\u2019Ukraine, il n\u2019a vu aucune raison de changer.<\/p>\n

\"\"<\/a>Les morceaux pour piano interpr\u00e9t\u00e9s par Alexei Lyubimov sur ECM datent des premi\u00e8res ann\u00e9es du 21e<\/sup> si\u00e8cle. Certains sont d\u00e9di\u00e9s \u00e0 des compositeurs apparent\u00e9s tels qu\u2019Arvo P\u00e4rt, Alexander Knaifel ou Leonid Hrabovsky, d\u2019autres font r\u00e9f\u00e9rence \u00e0 Glinka, Schubert et, de mani\u00e8re inattendue, Henry Purcell. Chacun est une m\u00e9ditation sur les musiciens et les \u00e9poques qui ont influenc\u00e9 la vision de Silvestrov. M\u00eame si certains peuvent \u00eatre confondus \u00e0 premi\u00e8re \u00e9coute avec des \u0153uvres de Schumann ou d\u2019Einaudi, la personnalit\u00e9 de Silvestrov est ind\u00e9niable et unique, douce au point d\u2019\u00eatre soporifique, mais toujours avec une pertinence qui vous incite \u00e0 \u00e9couter jusqu\u2019\u00e0 la fin.<\/p>\n

\"\"<\/a>Le Concerto pour violon, interpr\u00e9t\u00e9 par Janusz Wawrowski avec l\u2019Orchestre national de Lituanie, date de 2016, ann\u00e9e o\u00f9 le compositeur f\u00eatait ses 80 ans. Si Alfred Schnittke n\u2019avait jamais exist\u00e9, Silvestrov l\u2019aurait invent\u00e9 dans cette \u0153uvre intense, une partition qui passe sans avertissement ni explication de la grandiloquence orchestrale \u00e0 la contemplation solo, et vice versa. Il s\u2019agit d\u2019une conversation in\u00e9gale, suffisamment riche en contenu pour m\u00e9riter d\u2019\u00eatre \u00e9cout\u00e9e \u00e0 plusieurs reprises. La huiti\u00e8me symphonie de 2012 qui l\u2019accompagne est assombrie par le soul\u00e8vement russe en Crim\u00e9e et les terribles trag\u00e9dies qui ont suivi. La symphonie appartient au canon \u00e9tabli par Chostakovitch et Vaughan Williams en 1943; elle ne nous quittera jamais. Le chef d\u2019orchestre est Christopher Lyndon-Gee.<\/p>\n

\n

Traduction\u00a0: \u00a0A. Venne<\/p>\n","protected":false},"excerpt":{"rendered":"

Le compositeur ukrainien de premier plan, exil\u00e9 en Allemagne depuis 2022, d\u00e9fie toute cat\u00e9gorisation. Sous le r\u00e9gime sovi\u00e9tique, Valentin Silvestrov a toujours gard\u00e9 ses distances avec les styles impos\u00e9s, ignorant les pressions politiques et nationales. Il a \u00e9t\u00e9 expuls\u00e9 \u00e0 deux reprises de l\u2019Union des compositeurs et a continu\u00e9 \u00e0 composer \u00e0 sa mani\u00e8re, puisant<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":1089419,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[34360],"tags":[49830,63203,2805,63202,63204,38253,49760],"class_list":{"0":"post-1089431","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lhebdo-lebrecht","8":"tag-alexei-lyubimov-fr","9":"tag-christopher-lyndon-gee-fr","10":"tag-ecm","11":"tag-janusz-wawrowski-fr","12":"tag-lithuanian-national-orchestra-fr","13":"tag-naxos-fr","14":"tag-valentin-silvestrov-fr","15":"type-critique-de-disque"},"featured_image_src":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/08\/gandr-collage94.jpg","blog_images":{"medium":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/08\/gandr-collage94-300x214.jpg","large":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/08\/gandr-collage94.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1089431"}],"collection":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1089431"}],"version-history":[{"count":5,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1089431\/revisions"}],"predecessor-version":[{"id":1089437,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1089431\/revisions\/1089437"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media\/1089419"}],"wp:attachment":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1089431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1089431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1089431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}