{"id":1083478,"date":"2025-05-01T15:57:49","date_gmt":"2025-05-01T19:57:49","guid":{"rendered":"https:\/\/myscena.org\/?p=1083478"},"modified":"2025-05-09T17:29:51","modified_gmt":"2025-05-09T21:29:51","slug":"lamour-ou-rien-tout-sur-la-chose","status":"publish","type":"post","link":"https:\/\/aap5.myscena.org\/fr\/nathalie-de-han\/lamour-ou-rien-tout-sur-la-chose\/","title":{"rendered":"L\u2019amour ou rien: tout sur la chose"},"content":{"rendered":"

M\u00e9lanie Demers transforme les id\u00e9es de la militante et th\u00e9oricienne f\u00e9ministe bell hooks en un spectacle rutilant et \u00e9clat\u00e9.\u00a0 Sur la magnifique musique de Frannie Holder. Jusqu\u2019au 10 mai,\u00a0La saison – Espace Go<\/a>\u00a0et \u00e0 Qu\u00e9bec, du 5 novembre – \u00a029 novembre 2025\u00a0https:\/\/www.letrident.com\/<\/a><\/p>\n

Oubliez les histoires de prince charmant, la chor\u00e9graphe et metteure en sc\u00e8ne M\u00e9lanie Demers s\u2019inspire de\u00a0all about love<\/i>, le livre le plus connu de bell hooks, qui \u00e9crivait son nom en\u00a0<\/b>minuscules pour signifier que pour elle que le plus important n\u2019\u00e9tait pas sa personne mais la substance de ses travaux. Dans cet essai\u00a0<\/i>rassembleur, qui est l\u2019un des livres les plus lus au monde, l\u2019ic\u00f4ne\u00a0afro-am\u00e9ricaine redonne toutes ses dimensions au mot \u00ab amour \u00bb – le ramenant \u00e0 la chose v\u00e9ritable autant qu\u2019\u00e0 son essence \u00e9rotique et politique.<\/p>\n

\"La
La musique est au c\u0153ur de L’amour ou rien. Photo de: Yanick Macdonald.<\/figcaption><\/figure>\n

La cartographie de l\u2019amour<\/h3>\n

Dans\u00a0L\u2019amour ou rien<\/i>, M\u00e9lanie Demers r\u00e9unit huit artistes du monde du th\u00e9\u00e2tre, de la danse et de la musique – un ensemble de batterie au centre de la sc\u00e8ne. Habill\u00e9s de soie, de paillettes et de lam\u00e9 (superbes costumes d\u2019Elen Ewing), les interpr\u00e8tes clament de tout leur c\u0153ur leur soif d\u2019un nouvel horizon et leur volont\u00e9 de tracer la cartographie de l\u2019amour.<\/p>\n

Premi\u00e8res blessures, reconstruction de soi, relations amoureuses, sexualit\u00e9\u2026 les tableaux plut\u00f4t impressionnistes du spectacle se succ\u00e8dent en abordant des th\u00e9matiques ch\u00e8res \u00e0 bell hooks, sous forme de monologues, de chansons cri\u00e9es ou susurr\u00e9es et de corps en mouvements.<\/p>\n

Prise de parole engag\u00e9e, moments comiques parfois m\u00eame risibles, \u00f4de au cunnilingus, fou rire communicatif\u2026 Lorrie Jean-Louis, qui signe la traduction et de l\u2019adaptation de l\u2019\u0153uvre de bell hooks, et Ang\u00e9lique Willkie (\u00e0 la dramaturgie) multiplient les ruptures de ton qui s\u2019enchainent et contribuent \u00e0 faire de cette production une \u0153uvre qui se r\u00e9v\u00e8le tr\u00e8s divertissante.<\/p>\n

\"Prise
Prise de parole engag\u00e9e, moments comiques , \u00f4de au cunnilingus, fou rire communicatif\u2026 L’amour ou rien multiplie les ruptures de ton. Photo de: Yanick Macdonald.<\/figcaption><\/figure>\n

L\u2019amour ou rien<\/i>\u00a0est un spectacle qui en met plein la vue. Les lumi\u00e8res se r\u00e9fl\u00e9chissent sur la sc\u00e8ne noire et lisse comme un miroir et c\u2019est assur\u00e9ment un des points forts du spectacle (\u00e9clairages de Paul Chambers et sc\u00e9nographie de Vano Hotton). L\u2019ensemble est sensuel et esth\u00e9tiquement tr\u00e8s r\u00e9ussi.<\/i><\/p>\n

L\u2019amour ou rien<\/i>, un spectacle \u00e0 savourer jusqu\u2019au 10 mai,\u00a0La saison – Espace Go<\/a>\u00a0et du 5 novembre – 29 novembre 2025\u00a0https:\/\/www.letrident.com\/<\/a><\/p>\n

Avec Vlad Alexis, Rachel Amozigh, Ariel Charest, Frannie Holder, Mimo Magri, Carla Mezquita Honhon, Fabien Pich\u00e9 et Laurie Torres \u00e0 la batterie.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

M\u00e9lanie Demers transforme les id\u00e9es de la militante et th\u00e9oricienne f\u00e9ministe bell hooks en un spectacle rutilant et \u00e9clat\u00e9.\u00a0 Sur la magnifique musique de Frannie Holder. Jusqu\u2019au 10 mai,\u00a0La saison – Espace Go\u00a0et \u00e0 Qu\u00e9bec, du 5 novembre – \u00a029 novembre 2025\u00a0https:\/\/www.letrident.com\/ Oubliez les histoires de prince charmant, la chor\u00e9graphe et metteure en sc\u00e8ne M\u00e9lanie<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2943,"featured_media":1083486,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17036,395,17243,29949,53514,17292,58076,53513,401],"tags":[48092,48100,52503,35417,62245,17511,62248,62246,62247,54806],"class_list":{"0":"post-1083478","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-spectacles","8":"category-danse","9":"category-la-scena-en-ligne","10":"category-les-arts-scena","11":"category-montreal","12":"category-multimedia-fr","13":"category-quebec-city-fr","14":"category-region","15":"category-theatre-fr","16":"tag-danse-contemporaine","17":"tag-le-trident","18":"tag-musique-sur-scene","19":"tag-theatre-quebecois","20":"tag-bell-hooks","21":"tag-espace-go","22":"tag-frannie-holder","23":"tag-lamour-ou-rien","24":"tag-mayday","25":"tag-melanie-demers-fr","26":"type-critique"},"featured_image_src":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/05\/GO-24-25-lamour-ou-rien_224-\u00a9-Yanick-Macdonald-1024x683.jpg","blog_images":{"medium":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/05\/GO-24-25-lamour-ou-rien_224-\u00a9-Yanick-Macdonald-300x200.jpg","large":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2025\/05\/GO-24-25-lamour-ou-rien_224-\u00a9-Yanick-Macdonald-1024x683.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1083478"}],"collection":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1083478"}],"version-history":[{"count":0,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1083478\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media\/1083486"}],"wp:attachment":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1083478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1083478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1083478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}