{"id":1068742,"date":"2024-10-09T13:26:46","date_gmt":"2024-10-09T17:26:46","guid":{"rendered":"https:\/\/myscena.org\/kaitlyn-chan\/leland-ko-violoncelle-concours-osm\/"},"modified":"2024-10-11T21:51:49","modified_gmt":"2024-10-12T01:51:49","slug":"leland-ko-violoncelle-concours-osm","status":"publish","type":"post","link":"https:\/\/aap5.myscena.org\/fr\/kaitlyn-chan\/leland-ko-violoncelle-concours-osm\/","title":{"rendered":"Leland Ko (violoncelle) &#8211; Concours OSM"},"content":{"rendered":"\r\n<p class=\"has-drop-cap\" style=\"font-size: 18px;\"><span style=\"font-weight: 400;\">Leland Ko, <a href=\"https:\/\/myscena.org\/fr\/newswire\/communique-leland-ko-remporte-le-concours-osm-2023\/\">laur\u00e9at du Concours OSM\u00a02023<\/a>, poss\u00e8de une merveilleuse capacit\u00e9 de r\u00e9flexion. R\u00e9ceptif \u00e0 ce que la vie lui apprend, le violoncelliste sino-canadien affirme que ce qu\u2019il aime le plus dans son art, c\u2019est l\u2019\u00e9coute\u00a0: \u00ab\u00a0Lorsque nous \u00e9coutons ceux qui partagent la sc\u00e8ne avec nous, tout comme ceux que nous sommes all\u00e9s \u00e9couter en tant que spectateurs aussi bien que s\u2019\u00e9couter soi-m\u00eame en train de jouer, je pense que nous avons la chance de d\u00e9couvrir quelque chose sur nous-m\u00eames et sur les autres.\u00a0\u00bb<\/span><\/p>\r\n\r\n<p><span style=\"font-weight: 400;\">Sans pr\u00e9ciser le moment o\u00f9 il serait tomb\u00e9 en amour avec le violoncelle, Ko cite tout de m\u00eame de nombreux souvenirs musicaux joyeux et \u00e9mouvants. \u00c0 savoir, la lecture \u00e0 vue du <\/span><i><span style=\"font-weight: 400;\">Quatuor pour piano en do mineur<\/span><\/i><span style=\"font-weight: 400;\"> de Faur\u00e9 vers l\u2019\u00e2ge de 13\u00a0ans. \u00ab\u00a0Quelque chose dans ce morceau, la nouveaut\u00e9 de la lecture \u00e0 vue et la d\u00e9couverte de la musique de chambre ont captiv\u00e9 mes sens \u2013 mon corps se sentait comme s\u2019il d\u00e9bordait d\u2019une sensation lumineuse.\u00a0\u00bb Ces premi\u00e8res exp\u00e9riences, incluant l\u2019influence de l\u2019environnement stimulant des orchestres de jeunes qu\u2019il a connus \u00e0 Boston et celle des camps d\u2019\u00e9t\u00e9 en musique, ont motiv\u00e9 Ko \u00e0 poursuivre une carri\u00e8re musicale.<\/span><\/p>\r\n<p><span style=\"font-weight: 400;\">Le 1<\/span><span style=\"font-weight: 400;\">er<\/span><span style=\"font-weight: 400;\">\u00a0mai 2025, Ko aura l\u2019occasion de renouer avec ses sources en interpr\u00e9tant le <\/span><i><span style=\"font-weight: 400;\">Concerto pour violoncelle<\/span><\/i><span style=\"font-weight: 400;\"> de Walton avec le Boston Philharmonic Youth Orchestra, sous le b\u00e2ton de Benjamin Zander dans la c\u00e9l\u00e8bre Symphony Hall de cette ville. \u00ab\u00a0Mon orchestre d\u2019enfance, l\u2019une de mes plus grandes influences musicales et intellectuelles, et en quelque sorte ma salle d\u2019enfance, dit Ko, c\u2019est la r\u00e9alisation d\u2019un r\u00eave.\u00a0\u00bb En qu\u00eate de devenir la meilleure version de lui-m\u00eame, Ko n\u2019oublie pas de se rappeler des \u00e9tapes qui lui ont servi de tremplin tout au long de son chemin.<\/span><\/p>\r\n<p>(Traduction par Viktor Lazarov)<\/p>","protected":false},"excerpt":{"rendered":"<p>Leland Ko, laur\u00e9at du Concours OSM\u00a02023, poss\u00e8de une merveilleuse capacit\u00e9 de r\u00e9flexion. R\u00e9ceptif \u00e0 ce que la vie lui apprend, le violoncelliste sino-canadien affirme que ce qu\u2019il aime le plus dans son art, c\u2019est l\u2019\u00e9coute\u00a0: \u00ab\u00a0Lorsque nous \u00e9coutons ceux qui partagent la sc\u00e8ne avec nous, tout comme ceux que nous sommes all\u00e9s \u00e9couter en tant<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/aap5.myscena.org\/fr\/kaitlyn-chan\/leland-ko-violoncelle-concours-osm\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":39298,"featured_media":1068774,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[31862,17269,394],"tags":[44717,56738,1350],"class_list":{"0":"post-1068742","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-concours-musicals","8":"category-cordes","9":"category-musique-classique","10":"tag-osm-competition","11":"tag-leland-ko-fr","12":"tag-violoncelle","13":"type-profil","14":"volume-volume-30","15":"issue-vol-30-issue-2-fr","16":"section-la-releve"},"featured_image_src":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/10\/gandr-collage-10.jpg","blog_images":{"medium":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/10\/gandr-collage-10-300x144.jpg","large":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/10\/gandr-collage-10.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1068742"}],"collection":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/users\/39298"}],"replies":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1068742"}],"version-history":[{"count":0,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1068742\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media\/1068774"}],"wp:attachment":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1068742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1068742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1068742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}