{"id":1062500,"date":"2024-05-29T13:05:06","date_gmt":"2024-05-29T17:05:06","guid":{"rendered":"https:\/\/myscena.org\/?p=1062500"},"modified":"2024-05-30T13:05:02","modified_gmt":"2024-05-30T17:05:02","slug":"rince-rompre-avec-les-origines","status":"publish","type":"post","link":"https:\/\/aap5.myscena.org\/fr\/nathalie-de-han\/rince-rompre-avec-les-origines\/","title":{"rendered":"Rince: rompre avec les origines"},"content":{"rendered":"<p>L\u2019interpr\u00e8te chor\u00e9graphe Amrita Hepi entrem\u00eale fiction, m\u00e9moire et ethnographie dans l\u2019\u00e9nergique Rinse, une r\u00e9flexion sur le corps comme archive et m\u00e9moire. Th\u00e9\u00e2tre Rouge du Conservatoire, 25 -30 juin https:\/\/fta.ca\/<\/p>\n<p>De double ascendance autochtone australienne bundjalung et ng\u0101puhi, Aotearoa\/n\u00e9o-z\u00e9landaise, Amrita Hepi apparait de plus en plus sur les sc\u00e8nes internationales de danse contemporaine. L\u2019interpr\u00e8te-cr\u00e9atrice est reconnue pour son talent, pour sa rigueur et sa capacit\u00e9 \u00e0 transposer de fa\u00e7on chor\u00e9graphique une pens\u00e9e complexe et c\u2019est le cas pour <em>Rinse<\/em>, o\u00f9 elle d\u00e9ploie une r\u00e9flexion sur la relation aux origines tout au long du spectacle.<\/p>\n<figure id=\"attachment_1062504\" aria-describedby=\"caption-attachment-1062504\" style=\"width: 702px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-main-full wp-image-1062504\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2024\/05\/03_AmritaHepiRinse-433-1078x516.jpg\" alt=\"La chor\u00e9graphie d\u2019Amrita Hepi est emmaill\u00e9e de moments symboliques amusants. Cr\u00e9dit photo : Amrita Hepi\" width=\"702\" height=\"336\" srcset=\"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/05\/03_AmritaHepiRinse-433-1078x516.jpg 1078w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/05\/03_AmritaHepiRinse-433-702x336.jpg 702w\" sizes=\"(max-width: 702px) 100vw, 702px\" \/><figcaption id=\"caption-attachment-1062504\" class=\"wp-caption-text\">La chor\u00e9graphie d\u2019Amrita Hepi est \u00e9maill\u00e9e de moments symboliques . Cr\u00e9dit photo : Amrita Hepi<\/figcaption><\/figure>\n<p>V\u00eatue d\u2019un pantalon bleu, de chaussures assorties et d\u2019une chemise blanche, Amrita Hepi p\u00e9n\u00e8tre \u00e0 reculons la sc\u00e8ne blanche du Th\u00e9\u00e2tre Rouge du Conservatoire, comme pour mieux retrouver ces premiers commencements auxquels elle fait allusion. Des formes g\u00e9om\u00e9triques de taille moyenne, bleues elles aussi, sont au fond de la sc\u00e8ne et l\u2019une d\u2019entre elle est recouverte de miroir. L\u2019interpr\u00e8te cr\u00e9atrice se juche sur ces formes, se cache derri\u00e8re ou s&#8217;allonge dessus.<\/p>\n<p>Si au commencement \u00e9tait le mot, qui peut choisir la premi\u00e8re phrase, demande la chor\u00e9graphe. Amrita Hepi danse avec les mots comme avec son corps. L\u2019id\u00e9e d\u2019une m\u00e9moire ancestrale du corps la fascine et en tant qu\u2019ethnologue et membre des Premi\u00e8res Nations, elle r\u00e9fl\u00e9chit au commencement que propose les Occidentaux. Elle \u00e9voque aussi d\u2019autres commencements : celui d\u2019une relation amoureuse, celui d\u2019une cr\u00e9ation. Comment briser ces cercles qui deviennent immanquablement familiers, comment les rincer? <em>Rinse<\/em> est une pi\u00e8ce sur la difficult\u00e9 la difficult\u00e9 d\u2019\u00e9chapper aux origines et d\u2019\u00e9chapper aux chaines qui nous retiennent.<\/p>\n<p>Rinse, Th\u00e9\u00e2tre Rouge du Conservatoire, 25 -30 juin https:\/\/fta.ca\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019interpr\u00e8te chor\u00e9graphe Amrita Hepi entrem\u00eale fiction, m\u00e9moire et ethnographie dans l\u2019\u00e9nergique Rinse, une r\u00e9flexion sur le corps comme archive et m\u00e9moire. Th\u00e9\u00e2tre Rouge du Conservatoire, 25 -30 juin https:\/\/fta.ca\/ De double ascendance autochtone australienne bundjalung et ng\u0101puhi, Aotearoa\/n\u00e9o-z\u00e9landaise, Amrita Hepi apparait de plus en plus sur les sc\u00e8nes internationales de danse contemporaine. L\u2019interpr\u00e8te-cr\u00e9atrice est reconnue<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/aap5.myscena.org\/fr\/nathalie-de-han\/rince-rompre-avec-les-origines\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2943,"featured_media":1062501,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[36029,17013,17036,395,17243,28147,29949,53514,53513],"tags":[48092,58569,48112,58570,58571,58572],"class_list":{"0":"post-1062500","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-autochtone","8":"category-cette-semaine-a-montreal","9":"category-critiques-de-spectacles","10":"category-danse","11":"category-la-scena-en-ligne","12":"category-la-scena-plein-feux","13":"category-les-arts-scena","14":"category-montreal","15":"category-region","16":"tag-danse-contemporaine","17":"tag-amrita-hepi","18":"tag-fta-fr","19":"tag-memoire-ancestrale","20":"tag-premiers-peuples","21":"tag-rinse","22":"type-critique"},"featured_image_src":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/05\/02_AmritaHepiRinse-212-1024x742.jpg","blog_images":{"medium":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/05\/02_AmritaHepiRinse-212-300x217.jpg","large":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/05\/02_AmritaHepiRinse-212-1024x742.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1062500"}],"collection":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1062500"}],"version-history":[{"count":0,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1062500\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media\/1062501"}],"wp:attachment":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1062500"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1062500"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1062500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}