{"id":1052561,"date":"2024-02-02T09:00:19","date_gmt":"2024-02-02T14:00:19","guid":{"rendered":"https:\/\/myscena.org\/?p=1052561"},"modified":"2024-02-02T14:37:58","modified_gmt":"2024-02-02T19:37:58","slug":"critique-cd-problematica-people-places-records-2024","status":"publish","type":"post","link":"https:\/\/aap5.myscena.org\/fr\/zenith-wolfe\/critique-cd-problematica-people-places-records-2024\/","title":{"rendered":"Critique CD | Problematica (People Places Records, 2024)"},"content":{"rendered":"<blockquote><p><b><i>\u200b\u200bProblematica<br \/>\n<\/i><\/b>India Gailey, violoncelle et voix; divers compositeurs<br \/>\nPeople Places Records, 2024<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1052554 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2024\/02\/Problematica-India-Gailey--1024x1024.jpg\" alt=\"\" width=\"224\" height=\"224\" srcset=\"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Problematica-India-Gailey--1024x1024.jpg 1024w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Problematica-India-Gailey--300x300.jpg 300w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Problematica-India-Gailey--100x100.jpg 100w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Problematica-India-Gailey--600x600.jpg 600w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Problematica-India-Gailey--150x150.jpg 150w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Problematica-India-Gailey--768x768.jpg 768w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Problematica-India-Gailey-.jpg 1200w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/p>\n<p>R\u00e9sumer la musique d\u2019une artiste qui fait \u00e9talage de sa nature incompr\u00e9hensible, c\u2019est annuler le pouvoir d\u2019exp\u00e9rience de la musique. Il vaut la peine d\u2019\u00e9couter le dernier album d\u2019India Gailey, <i>Problematica<\/i>, avant de poursuivre la lecture.<\/p>\n<p>Cette exp\u00e9rience ne peut \u00eatre cat\u00e9goris\u00e9e, comme le sugg\u00e8re le titre de l\u2019album, qui est le terme scientifique d\u00e9signant une esp\u00e8ce qui \u00e9chappe \u00e0 toute cat\u00e9gorisation. Elle a demand\u00e9 \u00e0 sept musiciens virtuoses de composer diverses \u0153uvres exp\u00e9rimentales, afin de montrer sa flexibilit\u00e9 en tant que violoncelliste et chanteuse.<\/p>\n<p><i>I long<\/i> de Sarah Rossy renonce \u00e0 une m\u00e9lodie identifiable au profit d\u2019un violoncelle qui marque la sc\u00e8ne, ce qui permet \u00e0 Gailey de donner \u00e0 ses voix brutes et honn\u00eates une beaut\u00e9 troublante. Gailey fait ensuite un virage \u00e0 180 degr\u00e9s avec <i>Grotesquerie<\/i> de Nicole Liz\u00e9e, dans laquelle plusieurs voix sont superpos\u00e9es \u00e0 des instruments qu\u2019elles semblent imiter\u00a0: des l\u00e8vres bourdonnantes et des trilles de violoncelle, un rythme agit\u00e9 chuchot\u00e9, des chants agressifs et des r\u00e9verb\u00e9rations de violoncelle. Fid\u00e8les au style de Liz\u00e9e qui joue avec des intervalles \u00e9lectroniques dans la musique, les voix sont parfois invers\u00e9es ou d\u00e9cal\u00e9es, ce qui donne un morceau qui repousse les limites du mixage audio. <i>Universal Veil<\/i>, cr\u00e9\u00e9 par la compositrice islandaise et canadienne Fj\u00f3la Evans, offre un paysage sonore atmosph\u00e9rique \u00e9volutif, enti\u00e8rement compos\u00e9 d\u2019instruments \u00e0 cordes.<\/p>\n<p>Chaque \u0153uvre capture l\u2019essence impr\u00e9visible de la violoncelliste et contribue \u00e0 un th\u00e8me coh\u00e9rent, tout en restant fid\u00e8le au r\u00e9pertoire existant des artistes command\u00e9s. Rien n\u2019aurait pu mieux suivre l\u2019album 2022 de Gailey, <i>To you through<\/i>.<\/p>\n<h4>Playlist<\/h4>\n<p><iframe loading=\"lazy\"  id=\"_ytid_41217\"  width=\"702\" height=\"394\"  data-origwidth=\"702\" data-origheight=\"394\" src=\"https:\/\/www.youtube.com\/embed\/GrEUFFl4GCs?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cette exp\u00e9rience ne peut \u00eatre cat\u00e9goris\u00e9e, comme le sugg\u00e8re le titre de l\u2019album, Problematica, qui est le terme scientifique d\u00e9signant une esp\u00e8ce qui \u00e9chappe \u00e0 toute cat\u00e9gorisation.<\/p>\n","protected":false},"author":25515,"featured_media":1052556,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17269,17038,17277,17251],"tags":[57672,57673,49662,49661,55751,57674,39471,40230],"class_list":{"0":"post-1052561","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cordes","8":"category-critiques-de-disques-et-livres","9":"category-musique-canadienne","10":"category-musique-vocale","11":"tag-canadian-fr","12":"tag-experimental-music-fr","13":"tag-fjola-evans-fr","14":"tag-india-gailey-fr","15":"tag-musique-contemporaine-fr-2","16":"tag-new-releases-fr-2","17":"tag-nicole-lizee-fr","18":"tag-sarah-rossy","19":"volume-volume-29","20":"issue-vol-29-issue-5-fr","21":"section-critiques"},"featured_image_src":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/India-Gailey.webp","blog_images":{"medium":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/India-Gailey-300x144.webp","large":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/India-Gailey.webp"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1052561"}],"collection":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/users\/25515"}],"replies":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1052561"}],"version-history":[{"count":0,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1052561\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media\/1052556"}],"wp:attachment":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1052561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1052561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1052561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}