{"id":1052527,"date":"2024-02-02T14:07:58","date_gmt":"2024-02-02T19:07:58","guid":{"rendered":"https:\/\/myscena.org\/zenith-wolfe\/critique-cd-signature-philip-glass-analekta-2023\/"},"modified":"2024-02-02T14:15:45","modified_gmt":"2024-02-02T19:15:45","slug":"critique-cd-signature-philip-glass-analekta-2023","status":"publish","type":"post","link":"https:\/\/aap5.myscena.org\/fr\/zenith-wolfe\/critique-cd-signature-philip-glass-analekta-2023\/","title":{"rendered":"Critique CD | Signature : Philip Glass (Analekta, 2023)"},"content":{"rendered":"<blockquote><p><b><i>Signature\u00a0: Philip Glass<br \/>\n<\/i><\/b>Ang\u00e8le Dubeau, violon et direction; La Piet\u00e0<br \/>\nAnalekta, 2023<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1052521 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2024\/02\/Signature-Philip-Glass-cmyk.jpg\" alt=\"\" width=\"235\" height=\"238\" srcset=\"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Signature-Philip-Glass-cmyk.jpg 895w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Signature-Philip-Glass-cmyk-300x304.jpg 300w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Signature-Philip-Glass-cmyk-100x100.jpg 100w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Signature-Philip-Glass-cmyk-600x607.jpg 600w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Signature-Philip-Glass-cmyk-296x300.jpg 296w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Signature-Philip-Glass-cmyk-768x777.jpg 768w\" sizes=\"(max-width: 235px) 100vw, 235px\" \/><\/p>\n<p>Pour son 48e album, Ang\u00e8le Dubeau interpr\u00e8te des \u0153uvres du compositeur et pianiste Philip Glass avec son ensemble La Piet\u00e0. Le succ\u00e8s de ses interpr\u00e9tations varie d\u2019un titre \u00e0 l\u2019autre&#8230;<\/p>\n<p>L\u2019arrangement pour ensemble sur <i>Glassworks:<\/i> <i>Opening<\/i> de Dubeau commence par un piano jouant la m\u00e9lodie polyrythmique faussement simple de la pi\u00e8ce sur un tempo plus lent. Cela diminue la force des percussions, mais Dubeau ajoute des instruments \u00e0 cordes plus r\u00e9verb\u00e9rants et plus gonfl\u00e9s pour compenser. La plupart des morceaux pr\u00e9sentent des arrangements d\u2019ensemble de style similaire, d\u00e9montrant la vision de la cheffe pour l\u2019album; au lieu de simplement r\u00e9enregistrer les compositions de Glass, elle les recr\u00e9e, explorant le poids \u00e9motionnel qu\u2019elles pourraient offrir dans une configuration \u00e9largie.<\/p>\n<p>Dans <i>Koyaanisqatsi<\/i>, compos\u00e9e pour le film documentaire exp\u00e9rimental du m\u00eame nom, le violoncelle remplace les voix. Cela procure \u00e0 l\u2019\u0153uvre un son doux et moelleux plut\u00f4t que glacial et inqui\u00e9tant. Par cons\u00e9quent, la version ne parvient pas \u00e0 capturer l\u2019intention originale. <i>Metamorphosis Two<\/i> comprend des arp\u00e8ges amples ex\u00e9cut\u00e9s par le violon au lieu de l\u2019habituel piano. Ce changement est efficace\u00a0: il maintient le style d\u2019interpr\u00e9tation aigu et tendu, rendu par un instrument diff\u00e9rent.<\/p>\n<p>M\u00eame si certains arrangements de Dubeau ne rendent pas les \u00e9motions provocatrices de l\u2019original, ils sont bien ex\u00e9cut\u00e9s et agr\u00e9ables \u00e0 \u00e9couter.<\/p>\n<h4>Playlist<\/h4>\n<p><iframe loading=\"lazy\"  id=\"_ytid_97769\"  width=\"702\" height=\"394\"  data-origwidth=\"702\" data-origheight=\"394\" src=\"https:\/\/www.youtube.com\/embed\/tiJTRpD1VVU?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pour son 48e album, Ang\u00e8le Dubeau interpr\u00e8te des \u0153uvres du compositeur et pianiste Philip Glass avec son ensemble La Piet\u00e0. Le succ\u00e8s de ses interpr\u00e9tations varie d\u2019un titre \u00e0 l\u2019autre&#8230;<\/p>\n","protected":false},"author":25515,"featured_media":1052523,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17269,17038,17273],"tags":[40151,20334,57674,40817],"class_list":{"0":"post-1052527","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cordes","8":"category-critiques-de-disques-et-livres","9":"category-musique-de-chambre","10":"tag-angele-dubeau-fr","11":"tag-la-pieta","12":"tag-new-releases-fr-2","13":"tag-philip-glass-fr","14":"volume-volume-29","15":"issue-vol-29-issue-5-fr","16":"section-critiques"},"featured_image_src":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Angele-Dubeau.webp","blog_images":{"medium":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Angele-Dubeau-300x144.webp","large":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2024\/02\/Angele-Dubeau.webp"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1052527"}],"collection":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/users\/25515"}],"replies":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1052527"}],"version-history":[{"count":0,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1052527\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media\/1052523"}],"wp:attachment":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1052527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1052527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1052527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}