{"id":1019194,"date":"2022-09-02T08:00:43","date_gmt":"2022-09-02T12:00:43","guid":{"rendered":"http:\/\/myscena.org\/?p=1019194"},"modified":"2022-10-06T17:51:57","modified_gmt":"2022-10-06T21:51:57","slug":"critique-sonate-tableaux-coproduit-2022","status":"publish","type":"post","link":"https:\/\/aap5.myscena.org\/fr\/justin-bernard\/critique-sonate-tableaux-coproduit-2022\/","title":{"rendered":"Critique | Sonate Tableaux (co-produit avec omb\u00fa productions, 2022)"},"content":{"rendered":"<blockquote><p><em><strong>Sonate Tableaux<\/strong><br \/>\n<\/em>Minna Re Shin, piano<br \/>\nCo-produit avec omb\u00fa productions (juin 2022)<\/p><\/blockquote>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/09\/Minna-Re-Shin.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1019197 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/09\/Minna-Re-Shin.jpg\" alt=\"\" width=\"225\" height=\"225\" srcset=\"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/09\/Minna-Re-Shin.jpg 640w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/09\/Minna-Re-Shin-300x300.jpg 300w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/09\/Minna-Re-Shin-100x100.jpg 100w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/09\/Minna-Re-Shin-600x600.jpg 600w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/09\/Minna-Re-Shin-150x150.jpg 150w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/a>Le 15 juin dernier \u00e0 la galerie d\u2019art Gora, au centre-ville de Montr\u00e9al, la pianiste Minna Re Shin lan\u00e7ait son album <em>Sonate Tableaux<\/em>, du nom de l\u2019\u0153uvre \u00e9ponyme du compositeur Alain Payette \u00e9crite en 1998. L\u2019interpr\u00e8te a ex\u00e9cut\u00e9 le premier mouvement avant de laisser place \u00e0 une diffusion du clip bas\u00e9 sur le quatri\u00e8me et dernier mouvement (r\u00e9alisation : \u00adCarlos Ferrand). Depuis le lancement, <em>Sonate Tableaux\u00a0: Mouvement 1<\/em>, le premier de cette s\u00e9rie de 4 courts m\u00e9trages, a remport\u00e9 le prix de la meilleure vid\u00e9o musicale au Festival du film international 4theatre.<\/p>\n<p>Le style du compositeur emprunte \u00e0 la fois \u00e0 l\u2019\u00e9criture romantique, par son volume et sa densit\u00e9, \u00e0 la tradition wagn\u00e9rienne, par son amplitude expressive et son sens du d\u00e9veloppement dramatique, mais aussi \u00e0 \u00adl\u2019impressionnisme, par ses sonorit\u00e9s n\u00e9buleuses et par moments angoissantes. La juxtaposition de ces influences est parti\u00adculi\u00e8rement apparente dans le premier \u00admouvement. Mina Re Shin est habit\u00e9e par la musique. Elle fait ressortir de son piano toute la force n\u00e9cessaire dans les passages grandioses, mais aussi l\u2019inqui\u00e9tude et la fragilit\u00e9 dans les passages plus intimes.<\/p>\n<p>Le caract\u00e8re du deuxi\u00e8me mouvement se r\u00e9v\u00e8le beaucoup plus sombre et tortur\u00e9, tandis que le troisi\u00e8me, plus rapide, conna\u00eet plusieurs envol\u00e9es lyriques. En \u00e9coutant \u00adl\u2019ultime morceau et la tension qui y subsiste, on finit par se dire que l\u2019interpr\u00e9tation de l\u2019\u0153uvre dans son ensemble demeure \u00e0 un degr\u00e9 d\u2019intensit\u00e9 trop souvent \u00e9lev\u00e9. En \u00adrevanche, si vous \u00eates en recherche de \u00adsensations fortes, vous serez combl\u00e9s.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sonate Tableaux Minna Re Shin, piano Co-produit avec omb\u00fa productions (juin 2022) Le 15 juin dernier \u00e0 la galerie d\u2019art Gora, au centre-ville de Montr\u00e9al, la pianiste Minna Re Shin lan\u00e7ait son album Sonate Tableaux, du nom de l\u2019\u0153uvre \u00e9ponyme du compositeur Alain Payette \u00e9crite en 1998. L\u2019interpr\u00e8te a ex\u00e9cut\u00e9 le premier mouvement avant de<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/aap5.myscena.org\/fr\/justin-bernard\/critique-sonate-tableaux-coproduit-2022\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2811,"featured_media":1019195,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17265,17038,394],"tags":[48934,50485,50486,48937],"class_list":{"0":"post-1019194","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-contemporaine","8":"category-critiques-de-disques-et-livres","9":"category-musique-classique","10":"tag-alain-payette-fr","11":"tag-carlos-ferrand","12":"tag-galerie-gora","13":"tag-minna-re-shin-fr","14":"volume-volume-28","15":"issue-vol-28-issue-1-fr","16":"section-critiques"},"featured_image_src":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/09\/Minna-Re-Shin-Edited.jpg","blog_images":{"medium":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/09\/Minna-Re-Shin-Edited-300x138.jpg","large":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/09\/Minna-Re-Shin-Edited.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1019194"}],"collection":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/users\/2811"}],"replies":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1019194"}],"version-history":[{"count":0,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1019194\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media\/1019195"}],"wp:attachment":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1019194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1019194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1019194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}