{"id":1013269,"date":"2022-07-26T13:00:41","date_gmt":"2022-07-26T17:00:41","guid":{"rendered":"https:\/\/myscena.org\/?p=1013269"},"modified":"2022-07-26T13:13:08","modified_gmt":"2022-07-26T17:13:08","slug":"critique-cd-elle-analekta-2022","status":"publish","type":"post","link":"https:\/\/aap5.myscena.org\/fr\/zenith-wolfe\/critique-cd-elle-analekta-2022\/","title":{"rendered":"Critique CD | Elle (Analekta, 2022)"},"content":{"rendered":"

Elle<\/strong>
\nAng\u00e8le Dubeau, violon solo; Val\u00e9rie Milot et Antoine Mallette-Ch\u00e9nier, harpe; Lydia Etok et Nina Segalowitz, chant de gorge; La Piet\u00e0
\nAnalekta, 2022<\/p><\/blockquote>\n

\"\"<\/a>Violon solo et cheffe de l\u2019ensemble \u00e0 cordes La Piet\u00e0, Ang\u00e8le Dubeau a d\u00e9cid\u00e9 de pr\u00e9senter dans Elle<\/em>, l\u2019album du 25e anniversaire de son ensemble, une vari\u00e9t\u00e9 de compositrices contemporaines. Le r\u00e9sultat est une exp\u00e9rience emballante pendant laquelle l\u2019auditeur n\u2019a jamais le temps de s\u2019habituer \u00e0 un seul style, passant de l\u2019atmosph\u00e8re froide et sombre de Winter <\/em>de Rebecca Dale \u00e0 la fougue du chant de gorge inuit dans M\u00e9moire<\/em> de Katia Makdissi-Warren. Ce sont ces magnifiques contrastes entre d\u00e9licatesse et charge \u00e9motive qui permettent \u00e0 Mme Dubeau de mettre en valeur son ouverture aux diff\u00e9rentes tonalit\u00e9s, en plus de souligner le caract\u00e8re unique de chacune des compositrices.<\/p>\n

Et que dire de la prestation exceptionnelle de La Piet\u00e0 ! Les sons riches et profonds des violoncelles et du contrebasson guident les six violons; la pianiste Am\u00e9lie Fortin conf\u00e8re aux \u0153uvres une douceur qui les rend plus accessibles; et les harpistes, au jeu doux et vigoureux \u00e0 la fois, compl\u00e8tent La Pi\u00e8ta tellement bien qu\u2019il est dommage qu\u2019elles n\u2019aient particip\u00e9 qu\u2019\u00e0 deux \u0153uvres (Eos<\/em> et Libera Me<\/em>).<\/p>\n

Bien loin d\u2019\u00eatre le fruit du hasard, la chimie musicale incomparable de l\u2019ensemble dans cet album est l\u2019aboutissement de dizaines d\u2019ann\u00e9es de pratique.<\/p>\n","protected":false},"excerpt":{"rendered":"

Elle Ang\u00e8le Dubeau, violon solo; Val\u00e9rie Milot et Antoine Mallette-Ch\u00e9nier, harpe; Lydia Etok et Nina Segalowitz, chant de gorge; La Piet\u00e0 Analekta, 2022 Violon solo et cheffe de l\u2019ensemble \u00e0 cordes La Piet\u00e0, Ang\u00e8le Dubeau a d\u00e9cid\u00e9 de pr\u00e9senter dans Elle, l\u2019album du 25e anniversaire de son ensemble, une vari\u00e9t\u00e9 de compositrices contemporaines. Le r\u00e9sultat<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":25515,"featured_media":1013268,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[36029,17269,17038,394,17267,17271],"tags":[49567,40151,36360,36577,20334,49566,47436,49568,39110],"class_list":{"0":"post-1013269","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-autochtone","8":"category-cordes","9":"category-critiques-de-disques-et-livres","10":"category-musique-classique","11":"category-piano-fr","12":"category-violon","13":"tag-amelie-fortin-fr","14":"tag-angele-dubeau-fr","15":"tag-antoine-mallette-chenier-fr","16":"tag-katia-makdissi-warren-fr","17":"tag-la-pieta","18":"tag-lydia-etok-fr","19":"tag-nina-segalowitz-fr","20":"tag-rebecca-dale-fr","21":"tag-valerie-milot-fr","22":"volume-volume-27","23":"issue-vol-27-issue-8-fr","24":"section-critiques"},"featured_image_src":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/07\/Angele-Dubeau.jpg","blog_images":{"medium":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/07\/Angele-Dubeau-300x138.jpg","large":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/07\/Angele-Dubeau.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1013269"}],"collection":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/users\/25515"}],"replies":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1013269"}],"version-history":[{"count":0,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1013269\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media\/1013268"}],"wp:attachment":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1013269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1013269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1013269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}