{"id":1006531,"date":"2022-04-03T22:10:19","date_gmt":"2022-04-04T02:10:19","guid":{"rendered":"https:\/\/myscena.org\/?p=1006531"},"modified":"2022-04-15T11:01:00","modified_gmt":"2022-04-15T15:01:00","slug":"nouveautes","status":"publish","type":"post","link":"https:\/\/aap5.myscena.org\/fr\/la-scena-musicale-team\/nouveautes\/","title":{"rendered":"Nouveaut\u00e9s (avril-mai 2022)"},"content":{"rendered":"<h4><em>Vienna 1840 : Romantic Viennese Music<\/em><\/h4>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/9197-CoverFront_3000px-cmyk.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1006532 size-full\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/9197-CoverFront_3000px-cmyk.jpg\" alt=\"\" width=\"1000\" height=\"1000\" srcset=\"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/9197-CoverFront_3000px-cmyk.jpg 1000w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/9197-CoverFront_3000px-cmyk-300x300.jpg 300w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/9197-CoverFront_3000px-cmyk-100x100.jpg 100w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/9197-CoverFront_3000px-cmyk-600x600.jpg 600w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/9197-CoverFront_3000px-cmyk-150x150.jpg 150w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/9197-CoverFront_3000px-cmyk-768x768.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<blockquote><p>Pascal Valois, guitare<br \/>\nAnalekta AN 29197<br \/>\nParution : 22 janvier 2022<\/p><\/blockquote>\n<p>Pour l\u2019enregistrement de <em>Vienna 1840<\/em>, Pascal Valois s\u2019est donn\u00e9 comme mission de retrouver cette mani\u00e8re expressive d\u2019interpr\u00e9ter la musique propre au monde germanique de l\u2019\u00e9poque romantique. Fid\u00e8le jusqu\u2019au bout \u00e0 cette qu\u00eate d\u2019authenticit\u00e9, Valois utilise ici une r\u00e9plique d\u2019une guitare viennoise du luthier \u00adJohann Georg Stauffer (1778-1853) datant de 1830 pour mettre en lumi\u00e8re les \u0153uvres de Franz Schubert, Emilia Giuliani-Guglielmi, Giulio Regondi et Johann Kaspar Mertz.<\/p>\n<p>&nbsp;<\/p>\n<h4><em>Pr\u00e9ludes<\/em><\/h4>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/8914_CoverFront_3000px-cmyk.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1006534 size-full alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/8914_CoverFront_3000px-cmyk.jpg\" alt=\"\" width=\"1000\" height=\"1000\" \/><\/a><\/p>\n<blockquote><p>Julia MacLaine, violoncelle<br \/>\nAnalekta AN 28914<br \/>\nParution : 28 janvier 2022<\/p><\/blockquote>\n<p>Avec ce premier album, Julia MacLaine, \u00adassistante violoncelle solo de l\u2019Orchestre du \u00adCentre national des Arts depuis 2014, exprime \u00e0 la fois ses racines dans la musique classique et son enthousiasme pour la musique contemporaine en cr\u00e9ant un \u00addialogue entre les pr\u00e9ludes de Bach et les r\u00e9ponses \u00e9labor\u00e9es par six compositeurs canadiens aux styles aussi divers que riches\u00a0: Airat \u00adIchmouratov, Gabriel Dharmoo, Carmen Braden, Nicole Liz\u00e9e, Cris Derksen et Roy Johnstone. De cette rencontre improbable entre des musiciens contemporains et un g\u00e9nie classique, Julia MacLaine fait na\u00eetre une nouvelle source d\u2019\u00e9merveillement, la d\u00e9couverte d\u2019un Bach r\u00e9invent\u00e9, pour le plus grand plaisir des m\u00e9lomanes.<\/p>\n<h4><em>Elle<\/em><\/h4>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/AngeleDubeau-Elle-cmyk.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1006536 size-full\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/AngeleDubeau-Elle-cmyk.jpg\" alt=\"\" width=\"1000\" height=\"1000\" srcset=\"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/AngeleDubeau-Elle-cmyk.jpg 1000w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/AngeleDubeau-Elle-cmyk-300x300.jpg 300w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/AngeleDubeau-Elle-cmyk-100x100.jpg 100w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/AngeleDubeau-Elle-cmyk-600x600.jpg 600w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/AngeleDubeau-Elle-cmyk-150x150.jpg 150w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/AngeleDubeau-Elle-cmyk-768x768.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<blockquote><p>Ang\u00e8le Dubeau &amp; La Piet\u00e0<br \/>\nAnalekta AN 2 8754<br \/>\nParution : 11 f\u00e9vrier 2022<\/p><\/blockquote>\n<p>Comment souligner les 25 ans de l\u2019ensemble La Piet\u00e0\u00a0? La r\u00e9ponse est venue naturellement \u00e0 Ang\u00e8le Dubeau\u00a0: par la musique\u00a0! Elle propose donc pour l\u2019occasion un album enti\u00e8rement con\u00e7u, jou\u00e9 et compos\u00e9 par des femmes. En r\u00e9sulte un album empreint du bonheur d\u2019\u00e9changer par le m\u00e9dium de la cr\u00e9ation avec les compositrices ici r\u00e9unies. Un album qui \u00adt\u00e9moigne de la virtuosit\u00e9 d\u2019Ang\u00e8le Dubeau et confirme son immense talent \u00e0 \u00e9laborer des programmes qui sortent des sentiers battus tout en \u00e9tant aussi innovants qu\u2019accessibles.<\/p>\n<h4><em>Lumena<\/em><\/h4>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/lumena-topaz-duo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1006538 size-full\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/lumena-topaz-duo.jpg\" alt=\"\" width=\"1000\" height=\"1000\" srcset=\"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/lumena-topaz-duo.jpg 1000w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/lumena-topaz-duo-300x300.jpg 300w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/lumena-topaz-duo-100x100.jpg 100w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/lumena-topaz-duo-600x600.jpg 600w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/lumena-topaz-duo-150x150.jpg 150w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/lumena-topaz-duo-768x768.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<blockquote><p>Topaz Duo<br \/>\nRedshift Records TK518<br \/>\nParution : 5 mars 2022<\/p><\/blockquote>\n<p>Le Topaz Duo a sorti son premier album, <em>lumena, <\/em>sur Redshift Records. La harpiste Angela Schwarzkopf, laur\u00e9ate d\u2019un JUNO, et la fl\u00fbtiste Kaili Maimets interpr\u00e8tent \u00adquatre \u0153uvres de compositeurs nord-\u00adam\u00e9ricains vivants\u00a0: Riho Esko Maimets, Marjan Mozetich, Lowell Liebermann et une nouvelle commande de Kevin Lau. Disponible le 5 mars en ligne sur Redshift Records, iTunes, Apple Music, Bandcamp, Spotify, Google play, Amazon music, CD baby, YouTube Music, Deezer, Tidal, et Napster. Les disques <em>lumena <\/em>sont en vente sur <a href=\"http:\/\/www.thetopazduo.ca\">www.thetopazduo.ca<\/a>.<\/p>\n<h4><em>Three Stories<\/em> de Hans Christian Andersen et autres pi\u00e8ces pour enfants<\/h4>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/image_2022-04-03_211412.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1006546 \" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/image_2022-04-03_211412.png\" alt=\"\" width=\"556\" height=\"522\" \/><\/a><\/p>\n<blockquote><p>Jan J\u00e4rvlepp compositeur<br \/>\nRob Dean, conteur, Stanislav Vav\u0159\u00ednek, chef d\u2019orchestre, Orchestre philharmonique Jan\u00e1\u010dek, Orchestre philharmonique de Moravie<br \/>\nNavona Records NV6394<br \/>\nParution : 1<sup>er<\/sup> avril 2022<\/p><\/blockquote>\n<p>Avec la narration de l\u2019acteur prim\u00e9 Rob Dean, Jan J\u00e4rvlepp donne vie \u00e0 des contes classiques dans <em>Three Stories<\/em>. <em>Le Soldat de plomb<\/em>, <em>La petite fille aux allumettes <\/em>et<em> Les habits neufs de l\u2019empereur<\/em> ainsi que d\u2019autres \u0153uvres de J\u00e4rvlepp ouvrent un nouveau monde d\u2019imagination pour les jeunes d\u2019aujourd\u2019hui et r\u00e9unissent les \u00adinnombrables possibilit\u00e9s de la narration orale et musicale. Joignez-vous \u00e0 l\u2019Orchestre philharmonique Jan\u00e1\u010dek et l\u2019Orchestre \u00adphilharmonique de Moravie pour ce voyage palpitant \u00e0 travers ces \u00adclassiques de l\u2019enfance.<\/p>\n<h4><em>Sonate pour violoncelle en si b\u00e9mol majeur<\/em>, opus 11<\/h4>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/LM2026-Cover-cmyk.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1006548 size-full\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/LM2026-Cover-cmyk.jpg\" alt=\"\" width=\"1000\" height=\"1000\" srcset=\"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/LM2026-Cover-cmyk.jpg 1000w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/LM2026-Cover-cmyk-300x300.jpg 300w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/LM2026-Cover-cmyk-100x100.jpg 100w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/LM2026-Cover-cmyk-600x600.jpg 600w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/LM2026-Cover-cmyk-150x150.jpg 150w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/LM2026-Cover-cmyk-768x768.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<blockquote><p>H\u00e9l\u00e8ne Liebmann, compositrice<br \/>\nAndrea Stewart, violoncelle, Gili Loftus, pianoforte<br \/>\nLeaf Music, LM2026<br \/>\nParution : 15 avril 2022<\/p><\/blockquote>\n<p>S\u2019appuyant sur des ann\u00e9es de recherche et de programmation de concerts li\u00e9s aux composi\u00adtrices et interpr\u00e8tes historiques, le projet Virtuosa d\u2019Infusion Baroque pr\u00e9sente la musique ancienne de compositrices qui continuent d\u2019\u00eatre sous-repr\u00e9sent\u00e9es sur les sc\u00e8nes de concert. Avec ses textures \u00e9pur\u00e9es et une interpr\u00e9tation r\u00e9solument dynamique mais sophistiqu\u00e9e, la <em>Sonate pour violoncelle en si b\u00e9mol majeur<\/em>, op. 11 d\u2019H\u00e9l\u00e8ne Liebmann met en vedette les membres d\u2019Infusion Baroque Andrea Stewart, au violoncelle, et Gili Loftus, au pianoforte.<\/p>\n<h4><em>Shanties! LIVE<\/em><\/h4>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/NEF0003-Cover-cmyk.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1006540 size-full\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/NEF0003-Cover-cmyk.jpg\" alt=\"\" width=\"1000\" height=\"1000\" srcset=\"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/NEF0003-Cover-cmyk.jpg 1000w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/NEF0003-Cover-cmyk-300x300.jpg 300w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/NEF0003-Cover-cmyk-100x100.jpg 100w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/NEF0003-Cover-cmyk-600x600.jpg 600w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/NEF0003-Cover-cmyk-150x150.jpg 150w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/NEF0003-Cover-cmyk-768x768.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<blockquote><p>Traditionnel, arr. Se\u00e1n Dagher<br \/>\nLa Nef et Chor Leoni, Erick Lichte, dir.<br \/>\nNEF0003<br \/>\nParution : 6 mai 2022<\/p><\/blockquote>\n<p><em>Shantie! LIVE<\/em> met en sc\u00e8ne le c\u00e9l\u00e8bre groupe La Nef, le ma\u00eetre des chants de marins Se\u00e1n Dagher et les plus de 50 voix de Chor Leoni, s\u00e9lectionn\u00e9 aux JUNO, sous la direction d\u2019Erick Lichte. Un programme endiabl\u00e9 de chants de marins, de complaintes obs\u00e9dantes et de chants marins \u00adexaltants, <em>Shanties! LIVE<\/em> a \u00e9t\u00e9 enregistr\u00e9 en direct au Chan Centre for the Performing Arts en f\u00e9vrier 2020 lors d\u2019une repr\u00e9sentation \u00adpr\u00e9sent\u00e9e par Early Music Vancouver.<\/p>\n<h4><em>Souvenirs d\u2019Auguste Descarries<\/em><\/h4>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/LM250-Cover-cmyk.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1006542 size-full\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/LM250-Cover-cmyk.jpg\" alt=\"\" width=\"1000\" height=\"1000\" srcset=\"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/LM250-Cover-cmyk.jpg 1000w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/LM250-Cover-cmyk-300x300.jpg 300w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/LM250-Cover-cmyk-100x100.jpg 100w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/LM250-Cover-cmyk-600x600.jpg 600w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/LM250-Cover-cmyk-150x150.jpg 150w, https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/LM250-Cover-cmyk-768x768.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<blockquote><p>Isabelle David, piano<br \/>\nLeaf Music LM250<br \/>\nParution : 27 mai 2022<\/p><\/blockquote>\n<p>Le premier album solo de la pianiste montr\u00e9alaise Isabelle David comprend 14 \u0153uvres du pianiste et compositeur Auguste Descarries. Huit d\u2019entre elles sont des contributions in\u00e9dites \u00e0 la litt\u00e9rature pianistique qu\u00e9b\u00e9coise. Auguste Descarries occupe une place particuli\u00e8re dans le parcours musical de Mme David, puisque sa grand-m\u00e8re maternelle \u00e9tait l\u2019une des \u00e9l\u00e8ves qui ont b\u00e9n\u00e9fici\u00e9 de son enseignement. Ce lien particulier et la d\u00e9couverte des manuscrits du compositeur ont amen\u00e9 Mme David \u00e0 poursuivre un doctorat en \u00adinterpr\u00e9tation musicale, o\u00f9 elle a consacr\u00e9 quatre ann\u00e9es de recherche aux \u0153uvres pour piano de Descarries.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vienna 1840 : Romantic Viennese Music Pascal Valois, guitare Analekta AN 29197 Parution : 22 janvier 2022 Pour l\u2019enregistrement de Vienna 1840, Pascal Valois s\u2019est donn\u00e9 comme mission de retrouver cette mani\u00e8re expressive d\u2019interpr\u00e9ter la musique propre au monde germanique de l\u2019\u00e9poque romantique. Fid\u00e8le jusqu\u2019au bout \u00e0 cette qu\u00eate d\u2019authenticit\u00e9, Valois utilise ici une r\u00e9plique<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/aap5.myscena.org\/fr\/la-scena-musicale-team\/nouveautes\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2814,"featured_media":1006535,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[29960],"tags":[48333,40151,48334,48331,35096,48330,48332],"class_list":{"0":"post-1006531","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cd-decouvert","8":"tag-andrea-stewart-fr","9":"tag-angele-dubeau-fr","10":"tag-isabelle-david-fr","11":"tag-julia-maclaine-fr","12":"tag-la-nef-fr","13":"tag-pascal-valois-fr","14":"tag-topaz-duo-fr","15":"type-article-fr","16":"volume-volume-24","17":"section-critiques"},"featured_image_src":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/8914_CoverFront_3000px-cmyk-e1650034274244.jpg","blog_images":{"medium":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/8914_CoverFront_3000px-cmyk-e1650034274244-300x157.jpg","large":"https:\/\/aap5.myscena.org\/wp-content\/uploads\/2022\/04\/8914_CoverFront_3000px-cmyk-e1650034274244.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"group_select","label":"Group","value":""},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1006531"}],"collection":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/users\/2814"}],"replies":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1006531"}],"version-history":[{"count":0,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1006531\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media\/1006535"}],"wp:attachment":[{"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1006531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1006531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aap5.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1006531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}